A Wrinkle in Time by Madeleine L’Engle Essay -- essays research paper

A Wrinkle in Time by Madeleine LEngle Madeleine LEngle uses a creative mixture of three different story-book motifs for building the story line in her book A Wrinkle in Time. From beginning to demolition Meg, Charles Wallace, and Calvin go through adventure after adventure bursting with animated fairy-tale characteristics, a model preteen coming-of-age theme, and a subtle Christian suggestion. The three are intertwined naturally, and hold up well within the science-fiction twist of this very believable fantasy tale. The main character Meg Murry is the perfect innocent child turned heroine. As in the typical coming-of-age theme, the beginning of the story presents 13 class old Meg as young, and terribly dependent on others. Constantly wallowing in self-pity, Meg enters the branch chapter emotionally immature with a dismal self-centered why-must-everything-happen-to-me attitude P.7. Although her five year old younger brother Charles Wallace is rumored to be not quite adroit P.9, he is actually extremely advanced for his age and Megs main caretaker. How did Charles Wallace always know about her? How could he alwaysprobe (and understand) with frighten accuracy P.8? The two are remarkably close, and whenever life becomes too much for Meg, Charles Wallace reaches out to comfort her. All threeMeg, Charles Wallace, and their new found friend, 14 year old Calvin Okeefefit the average misunderstood characteristics found in many fairy-tale and preteen stories. While both Calvin and Charles Wallace are misunderstood by most, Charles Wallace at least has the support of a loving home, with dysfunctional preoccupied parents, Calvin, on the contrary, has no unitary to understand and appreciate him. The funny part of it he says, (is that) I chicane them all and they dont give a hoot about meI care, (but) nobody else does P.40. All three children, each with his own particular(a) individual qualities, strive to get along in their every daylight world. The boys dont seem to care much what others think, only Meg, with her many temperamental imperfections, flounders from day to day. Mixed in with this is a hint of an orphaned-child theme. Although none of the children are actual orphans, the thought is implied first through Mr. Murrys absents, and Megs constant hankering of if only father (were here) P.4 and then with Calvins horribly neglectful familyhe is, in essen... ...er to her caretaker, while she challenges It in an attempt to save her brother. In the grand finale, love concurs the incredibly evil force. Lovethe one thing Meg possesses that It doesntI love you Charles Wallace she cries, My baby brother who always takes care of me. Come acantha to mecome away from It, come back, come home. I love you P.208 The message is written all through the text. God is stronger than Satan. God is love, and love is stronger than It.Once once more winning is everything and the story finds a way of making everything work outclass lecture. Charles Wallace i s free, the Murry children have their father back, and Mrs. Murry has her husband back. Calvin has new friends and family with the Murrys. Meg, who has undergone her right of passage, finds friendship and self-confidence, is sure to beget to daily life with a different more assertive and positive attitude. After the dark spiritual fight against It, Meg returns with a spiritual healing, and the absence seizure of anger and resentment. Like The Lion, the Witch, and the Wardrobe the group returns at the exact moment they had departed on the quest, ready to take up where they left offone big happy family.